谭 天 TANTIAN

灰白的墙前,谭天戴着白帽站着,旁边是城市角落的图像诗人的标题。

《城市角落的图像诗人》是谭天持续进行的艺术项目,也是一种关于图像、空间与城市关系的创作方法。
艺术作品离开画廊与白盒子,被带入正在发生的现实世界——废墟、街道、建筑工地、桥梁、田野以及城市中那些容易被忽略的角落。
作品不再只是被观看的图像。环境、经过的人、光线、时间以及城市本身,都开始进入作品。
人在作品中漂流,
作品在城市中漂流,
艺术家也在不断变化的城市中漂流。
在这里,艺术不是被放进一个空间,
而是让空间成为作品的一部分。

The Image Poet of Urban Corners is an ongoing art project by Tan Tian, as well as a working method exploring the relationship between image, space and the city.
Artworks leave the gallery and the white cube and enter the world as it is — ruins, streets, construction sites, bridges, fields, and overlooked corners of the city.
The artwork is no longer simply an image to be viewed. The environment, passing people, light, time, and the city itself begin to enter the work.
People drift inside the artwork.
The artwork drifts inside the city.
The artist drifts with the changing city.
Here, art does not simply enter a space.
The space becomes part of the work.

城市角落的图像诗人 PART 01

IN YOUR ROOM

在你的房间

只有两张画的展览,两张画叫做《在你的房间》,作品1是作品2的组成部分。在这个展览中,我们将作品1放进作品2之中,最后又放进了这个小房间里,作为主题《在你的房间》。
An exhibition of only two paintings, both titled "In Your Room". Piece 1 is an integral component of Piece 2. In this exhibition, Piece 1 is embedded into Piece 2, which is ultimately placed inside this small room, embodying the central theme: "In Your Room".

城市角落的图像诗人 PART 02

SONG FOR THE WANDERING

流浪者之歌

一张表达因为拆迁而被迫搬家流浪的作品又放回到拆迁的工地上,绿色的防尘布像一片海……
An artwork depicting the forced displacement and wandering caused by demolition is brought back to the very rubble of the demolition site, where green dust-mesh stretches out like an open sea...

城市角落的图像诗人 PART 03

遥望

LOOKING FROM A DISTANCE

这里是河北燕郊的一栋废弃大楼,从这里往西一公里就是北京,这里住着很多人,他们的梦想就是能在北京安家,不用忍受每日漫长折磨的通勤。
An artwork depicting the forced displacement and wandering caused by demolition is brought back to the very rubble of the demolition site, where green dust-mesh stretches out like an open sea... gazing into the distance.

城市角落的图像诗人 PART 04

WHERE THE CLOUDS MOOR

云停泊的地方

在这个地方取景,画了这张作品,随后又带着这张作品回到这里,我想让作品与这个环境之间,形成一种被称之为“克莱因瓶子”的结构。
Capturing the scene here, I painted this artwork, and then brought it back to this very place. Between the work and its environment, I wanted to forge a structure known as a "Klein bottle."

城市角落的图像诗人 PART 05

水族馆

AQUARIUM

水族馆这张作品为什么会在麦田展出,鱼不应该生活在水里吗?这个世界确实有很多事和我们的认知完全不一样。
Why is a painting titled Aquarium being exhibited in a wheat field? Shouldn’t fish live in water? There are indeed so many things in this world that run entirely contrary to what we think we know.

城市角落的图像诗人 PART 06

WHEN THE SPRING WIND STARTS TO DANCE

在北京四元桥下,我在这里做展览,这里的车流和人群都很繁忙,显得我如此的格格不入。我和我的作品,和车流与人群,就像两个不同世界的人,互相打量。
Beneath Beijing's Siyuan Bridge, I stage an exhibition. The traffic and crowds rush by in perpetual bustle, leaving me feeling entirely out of place. My artwork and I, alongside the surge of cars and people, are like beings from two entirely different worlds, quietly looking at one another.

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